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Loreena McKennitt [The Visit (1991)] - 01. All Souls Night 외 8곡 (9곡)

black silk 2015. 6. 4. 21:30

 

 

 

 

 

 

Loreena McKennitt


Birth name : Loreena Isabel Irene McKennitt
Born : (1957-02-17) February 17, 1957 (age 56)
Morden, Manitoba, Canada
Origin : Stratford, ontario, Canada
Genres : Celtic, world, New Age
Occupations : Musician, songwriter, producer
Instruments : Voice, piano, harp, accordion
Years active : 1985?present
Labels : Quinlan Road, Warner Bros., Verve Forecast/Universal
Website : quinlanroad.com

로리나 멕켄니트 는 1957년 에 출생한 카나다의 뮤지션으로 작곡, 하피스트, 아코디어니스트, 피아니스트, 다재다능한 재원에 더하여 그녀의 보칼은 더없이 아름답고 천사들의 속삭임이나 합창쯤으로 들린다. 그녀는 주로 켈틱음악과 동방의테마들(월드뮤직),뉴에이지에 관한 작업이 많고, 정제되고 순화된 소프라노에 드라마틱한 보칼로 그녀의 레코드는 1,400만장 이상이 팔렸다.

멕켄니트는 아이리쉬 와 스코티쉬 혈통의 을 지닌 부모로부터 태어나 81년도 까지 살던 온타리오 에서 처음엔 수의사가 되고자 했으나, 뒤늦게 켈틱음악에 관한 정열로

켈틱하프 연주 수업을 받고, 그녀자신의 레코드 발행을 위하여 토론토의 센트 로렌스 마켓등 여러곳에서 일하기도 하였다.

그녀는 캐나다의 그래미상이라 할 수 있는 Juno상을 두 번이나 수상하였고, 2004년 '위니팩 포크 페스티벌'에서 평생공로상을 수상하는 등 캐나다의 국보급 뮤지션이기도 하다.

 

 

 

 

 

아래 올리는 곡들은 1991년에 발표한 [The Visit]는 멕켄니트의 몽환적이고 신비를 불러 일으키는 목소리에 어울리는

내용의 가사들로 그내용들이 아름답고 동화적이기도 하다.

(시간에 쫓겨)  본 페이지에 계속 이어서 전 곡을 올릴 예정으로 즐감 하시기를.

 

Loreena McKennitt [The Visit (1991)] - 01. All Souls Night



   All Souls Night

          - Loreena McKennitt -

 

Bonfires dot the rolling hillsides.

Figures dance around and around

to drums that pulse out echoes of darkness;

moving to the pagan sound.

 

Somewhere in a hidden memory

images float before my eyes

of fragrant nights of straw and of bonfires,

dancing till the next sunrise.

 

Chorus:

I can see the lights in the distance

trembling in the dark cloak of night.

Candles and lanterns are dancing, dancing

a waltz on all souls night.

 

Figures of cornstalks bend in the shadows

held up tall as the flames leap high.

The Green Knight holds the holly bush

to mark where the old year passes by.

 

Chorus

 

Bonfires dot the rolling hillsides.

Figures dance around and around

to drums that pulse out echoes of darkness;

moving to the pagan sound.

 

Standing on the bridge that crosses

the river that goes out to the sea.

The wind is full of a thousand voices;

they pass by the bridge and me.

 

Chorus

 

Chorus again



 

Loreena McKennitt [The Visit (1991)] - 02. Bonny Portmore

 

 

       Bonny Portmore

           - Loreena McKennitt -


O bonny Portmore, I am sorry to see

Such a woeful destruction of your ornament tree

For it stood on your shore for many's the long day

Till the long boats from Antrim came to float it away.

 

O bonny Portmore, you shine where you stand

And the more I think on you the more I think long

If I had you now as I had once before

All the lords in Old England would not purchase Portmore.

 

All the birds in the forest they bitterly weep

Saying, "Where will we shelter or shall we sleep?"

For the Oak and the Ash, they are all cutten down

And the walls of bonny Portmore are all down to the ground.

 

O bonny Portmore, you shine where you stand

And the more I think on you the more I think long

If I had you now as I had once before

All the Lords of Old England would not purchase Portmore.




Loreena McKennitt [The Visit (1991)] - 03. Between The Shadows (Persian Shadows)



Loreena McKennitt [The Visit (1991)] - 04. The Lady of Shalott

 

 

 

The Lady of Shalott

        - Loreena McKennitt - 

 

On either side of the river lie

Long fields of barley and of rye,

That clothe the world and meet the sky;

And thro' the field the road run by

To many-towered Camelot;

And up and down the people go,

Gazing where the lilies blow

Round an island there below,

The island of Shalott.

 

Willows whiten, aspens quiver,

Little breezes dusk and shiver

Thro' the wave that runs for ever

By the island in the river

Flowing down to Camelot.

Four grey walls, and four grey towers,

Overlook a space of flowers,

And the silent isle imbowers

The Lady of Shalott.

 

Only reapers, reaping early,

In among the bearded barley

Hear a song that echoes cheerly

From the river winding clearly

Down to tower'd Camelot;

And by the moon the reaper weary,

Piling sheaves in uplands airy,

Listening, whispers "'tis the fairy

The Lady of Shalott."

 

There she weaves by night and day

A magic web with colours gay,

She has heard a whisper say,

A curse is on her if she stay

To look down to Camelot.

She knows not what the curse may be,

And so she weaveth steadily,

And little other care hath she,

The Lady of Shalott.

 

And moving through a mirror clear

That hangs before her all the year,

Shadows of the world appear.

There she sees the highway near

Winding down to Camelot;

And sometimes thro' the mirror blue

The Knights come riding two and two.

She hath no loyal Knight and true,

The Lady Of Shalott.

 

But in her web she still delights

To weave the mirror's magic sights,

For often thro' the silent nights

A funeral, with plumes and lights

And music, went to Camelot;

Or when the Moon was overhead,

Came two young lovers lately wed.

"I am half sick of shadows," said

The Lady Of Shalott.

 


A bow-shot from her bower-eaves,

He rode between the barley sheaves,

The sun came dazzling thro' the leaves,

And flamed upon the brazen greaves

Of bold Sir Lancelot.

A red-cross knight for ever kneel'd

To a lady in his shield,

That sparkled on the yellow field,

Beside remote Shalott.

 

His broad clear brow in sunlight glow'd;

On burnish'd hooves his war-horse trode;

From underneath his helmet flow'd

His coal-black curls as on he rode,

As he rode back to Camelot.

From the bank and from the river

he flashed into the crystal mirror,

"Tirra Lirra," by the river

Sang Sir Lancelot.

 


She left the web, she left the loom,

She made three paces taro' the room,

She saw the water-lily bloom,

She saw the helmet and the plume,

She looked down to Camelot.

Out flew the web and floated wide;

The mirror cracked from side to side;

"The curse is come upon me," cried

The Lady of Shalott.

 

In the stormy east-wind straining,

The pale yellow woods were waning,

The broad stream in his banks complaining.

Heavily the low sky raining

Over towered Camelot;

Down she came and found a boat

Beneath a willow left afloat,

And round about the prow she wrote

The Lady of Shalott

 


And down the river's dim expanse

Like some bold seer in a trance,

Seeing all his own mischance -

With a glassy countenance

Did she look to Camelot.

And at the closing of the day

She loosed the chain and down she lay;

The broad stream bore her far away,

The Lady of Shalott.

 

Heard a carol, mournful, holy,

Chanted loudly, chanted lowly,

Till her blood was frozen slowly,

And her eyes were darkened wholly,

Turn'd to towered Camelot.

For ere she reach'd upon the tide

The first house by the water-side,

Singing in her song she died,

The Lady of Shalott.

 


Under tower and balcony,

By garden-wall and gallery,

A gleaming shape she floated by,

Dead-pale between the houses high,

Silent into Camelot.

Out upon the wharfs they came,

Knight and Burgher, Lord and Dame,

And round the prow they read her name,

The Lady of Shalott.

 

Who is this? And what is here?

And in the lighted palace near

Died the sound of royal cheer;

And they crossed themselves for fear,

All the Knights at Camelot;

But Lancelot mused a little space

He said, "She has a lovely face;

God in his mercy lend her grace,

The Lady of Shalott."




Loreena McKennitt [The Visit (1991)] - 05. Greensleeves

 

 

 

 

 

Greensleeves


Alas my love you do me wrong

To cast me off discourteously;

And I have loved you oh so long

Delighting in your company.

 

Greensleeves was my delight,

Greensleeves my heart of gold

Greensleeves was my heart of joy

And who but my lady Greensleeves.

 

I have been ready at your hand

To grant whatever thou would'st crave;

I have waged both life and land

Your love and goodwill for to have.

 

Greensleeves was my delight,

Greensleeves my heart of gold

Greensleeves was my heart of joy

And who but my lady Greensleeves.

 

Thy petticoat of slender white

With gold embroidered gorgeously;

Thy petticoat of silk and white

And these I bought gladly.

 

Greensleeves was my delight,

Greensleeves my heart of gold

Greensleeves was my heart of joy

And who but my lady Greensleeves.




 

Loreena McKennitt [The Visit (1991)] - 07. Courtyard Lullaby (안마당의 자장가)

 

Courtyard Lullaby


Wherein the deep night sky,

the stars lie in its embrace.

The courtyard still in its sleep.

Peace comes over your face.

 

"Come to me", it sings

"Hear the pulse of the land.

The ocean's rhythms pull

to hold your heart in its hand."

 

When the wind draws strong

across the cypress trees,

the nightbirds cease their songs;

so gathers memories.

 

Last night you spoke of a dream

where forests stretched to the east

and each bird sang its song;

a unicorn joined in the feast.

 

And in a corner stood

a pomegranate tree

with wild flowers there

no mortal eye could see.

 

Yet still some mystery befalls

sure as the cock crows at morn.

The world in stillness keeps

the secret of babes to be born.

 

Come to me my love.

Hear the pulse of the land.

The ocean's rhythms pull

to hold your heart in its hand.

 

I heard an old voice say,

"Don't go far from the land.

The seasons have their way

no mortal can understand."




Loreena McKennitt [The Visit (1991)] - 08. The Old ways

 

 

 

The Old Ways

   Loreena McKennitt

 


The sea is calling me home, home to you.

The pounding sea is calling me home, home to you.

 

On a dark new year's night

on the west coast of Clare

I heard your voice singing.

Your eyes danced the song,

your hands played the tune.

T'was a vision before me.

 

We left the music behind and the dance carried on

as we stole away to the seashore

and smelt the brine, felt the wind in our hair

and with sadness you paused.

 

Suddenly, I knew that you'd have to go.

Your world was not mine, your eyes told me so.

Yet it was there I felt the crossroads of time

and I wondered why.

 

As we cast our gaze on the tumbling sea,

a vision came o'er me,

of thundering hooves and beating wings

in the clouds above.

 

As you turned to go, I heard you call my name.

You were like a bird in a cage, spreading its

wings to fly.

'The old ways are lost', you sang as you flew

and I wondered why.

 

The thundering waves are calling me home, home to you.

The pounding sea is calling me home, home to you.

 

The pounding waves are calling me home, home to you.

The pounding sea is calling me home, home to you.

 

The pounding waves are calling me home, home to you.

The pounding sea is calling me home, home to you.




Loreena McKennitt [The Visit (1991)] - 09. Cymbeline (심벨린 : 셰익스피어의 로맨스극)

 

 

"Cymbeline"

Fear no more the heat o' the sun
Nor the furious winters' rages;
Thou thy worldly task hast done,
Home art gone, and ta'en thy wages
Golden lads and girls all must,
As chimney-sweepers, come to dust.

The sceptre, learning, physic, must
All follow this and come to dust.

Fear no more the frown o' th' great;
Thou art past the tyrant's stroke
Care no more to clothe and eat;
To thee the reed is as the oak.
The sceptre, learning, physic, must
All follow this and come to dust.

All lovers young, all lovers must
Consign to thee and come to dust.

Fear no more the lightning flash,
Nor th' all-dreaded thunder-stone;
Fear not slander, censure rash;
Thou hast finished joy and moan.
All lovers young, all lovers must
Consign to thee and come to dust.